The Sound of Gonzo: Vol 13 [The Star Wars Prequel Trilogy]

[School of Everything Else 2019]

In a bid to search for the best in everything I recruited James Batchelor to journey back to the three films with which I started my movie podcast career in earnest. Back in 2010 that took the form of a raw torrent of frustration and derision, but I'm trying to save that for the deserving.

Instead, this time round, my enthusiastic colleague and I have found the best pieces of scoring within those three films, to showcase for all of you. Join us for a journey from trade disputes to genocide, as we traverse the story of Anakin Skywalker's fall to the dark side retold through the scores of the legendary John Williams.

1. Star Wars theme/The Federation Battleship 

2. Fighting the Destroyer Droids

3. Arrival on Tatooine/The flag parade/Anakin is Free

4. Anakin’s Theme

5. The Duel/The Droid Battle

6. The Parade (Augie’s Great Municipal Band)

7. The Younglings/Meeting With Fett

8. Across the Stars

9. Confrontation with Count Dooku and Finale

10. Battle Over Coruscant (Intro)

11. Padme’s Ruminations 

12. The Great Jedi Purge

13. Anakin’s Dark Deeds/I’m So Sorry

14. Anakin vs. Obi Wan

15. The Immolation Scene

16. I Know There’s Good in Him

17. A New Hope/End Credits

The Dark Crystal

[School of Movies 2019]

In this episode we cover both the 1982 Jim Henson movie and the 2019 Netflix series; Age of Resistance. You can listen to our podcast first, it will make both better. 

One of the most striking, extraordinary and dignified attempts at the fantasy cinema of the 1980s, the original movie was massively important to few, but Sharon was among them. 

There was absolutely no rational reason why Netflix would attempt a show based on a property that didn't exactly set the box office alight 37 years earlier, much less that they would opt for the practical puppetry which made that film extraordinary over the standard CG creatures of 21st Century entertainment. 

And there was absolutely no way that this could end up one of the most beautiful, extraordinary TV shows ever made. That it would feel more sharply relevant now in an era when the obscenely wealthy cartoon villains who are our excuses for rulers feast upon the figurative essence of those they deem lesser beings.

And yet, here we are.

Guests

 Lorin Grieve  @VixenVVitch 

Mackenzie Easton  @KenziePhoenix of Rainbow Connection @MuppetsPod  

Nathan Bertram @bertnerdtram of Video Game: The Movie: The Podcast  @VGTMPodcast 

Moana

[School of Movies 2019]  

This was the film that convinced me though theatrically-released hand-drawn animation is gone that the future is in good hands all the same.

John Musker and Ron Clements made their Disney directorial debut all the way back in 1986's Great Mouse Detective. They then followed that up with a double-whammy of The Little Mermaid and Aladdin, forming the foundation of the 90s renaissance (and sandwiching Beauty & the Beast). 

They went on to helm the delightful disappointments; Hercules, Treasure Planet and The Princess & the Frog, which failed to hit those box office figures but proved to be firm favourites with die hard Disney fans. And here they bid farewell to directing, twenty years after they began with their first 3D animation gig, that also could be argued as one of the most beautiful ever created within that medium. That this was both their first and last is as surprising as it is bittersweet.

But enough about two lovable old white men, this is a film where the house of mouse stepped in the right direction, consulting with Pacific Islanders to create something more culturally aware (though still anchored to the brand). 

Small steps. 

Guest

Daniel Floyd of New Frame Plus  @DanFloydPlus 

Zootopia

[School of Movies 2016]

This was a show we recorded way back in 2016, that simply couldn't wait the three more years it would take to bring us up to date. Dan was not available this time round so we brought in some anthropomorphic animal specialists in his absence.

Big Hero 6

[School of Movies 2019]  

It appears to be decreed that Disney must sandwich every princess film in their animated classics canon with one that is either accessible to the whole family (like Zootopia) or one that at least suggests it will appeal to male-coded interests. In this case Wreck-It Ralph with all those video games (that girls love too) and Big Hero 6 with all its superheroes (that girls love too).

In this case Disney's first attempt at adapting a Marvel comic book with no connection to the MCU this one takes a virtually unheard of Joe Kelly book from the 90s which had not quite a dozen issues to its name and turned it into something like The Iron Giant, something like what would eventually be Bumblebee and something like Into the Spider-Verse. Two films that would improve upon elements of this formula.

And whilst we don't love it as much as any of the above there is something kind of wonderful about Baymax, and there are things we can learn from this film about living with grief and crazy science that are of genuine benefit to us, moving forward. 

Guest

Daniel Floyd of New Frame Plus  @DanFloydPlus 

Mackenzie Easton  @KenziePhoenix of Rainbow Connection @MuppetsPod