School of Movies

Hellboy II: The Golden Army

[School of Movies 2018]

The second film is even better than the first. This time del Toro draws Hellboy deeper into his own world and away from the Mignola comics. And what we get is rich and nourishing, painted in beautiful red, black and gold.

I begin with a hopefully compelling positioning of Hellboy II as being more like movies from Marvel's Phase 3 than the movies of Phase 1 were. 

We go on to discuss every aspect of this underseen dark fantasy classic, most likely the last time we will see Perlman as Big Red with GDT in the chair, but it grows more special every year as a result. 

My Audio Drama: Let Them Go

Guest:

Victoria Grieve

Pan's Labyrinth

[School of Movies 2018]

At the close of the Spanish civil war a girl beginning to comprehend the horrors going on around her encounters a fairy world that reflects that violence and grotesquery.

Welcome to one of the best podcasts we've ever made. We go straight in with analysis of detail and breaking down this dense yet elegant dark fantasy into its meaningful parts. 

Arguably del Toro's finest film in terms of craftsmanship, this one takes up residence in your heart and stays forever, to the point where just hearing the lullaby will instil a powerful sense of melancholy.

Guest:

Lorin Grieve

Hellboy

[School of Movies 2018]

Del Toro's fifth film was a passion project for him which he still managed to position as a studio picture supernatural superhero sci-fi that ended up with middling success. 

The Hellboy comic by Mike Mignola blends Lovecraftian horror, mythology and folklore with a no-nonsense, gruff mechanic's approach to the paranormal. It's a deeply appealing combination hearkening to Ghostbusters. Of the two GDT HBs this one sticks closer to the comic roots whilst being somewhat mired in the weaknesses of early 2000s blockbusters.

We adore the film and extol its strengths, including splendid practical effects, incredible detail, stirring music, fascinating lighting, delicate turns from Selma Blair and John Hurt and an iconic central performance from the man who will remain as forever linked with the character for me as Reeve's Superman and Evans' Captain America; Ron Perlman. When I read the comics, his is the voice I hear in my head. And the second film is even better. 

Hellboy books to read: Seed of Destruction/The Right Hand of Doom

My Audio Drama: Let Them Go

Guest:

Victoria Grieve

Blade Trilogy

[School of Movies 2018]

This is about all three of the half-human, half-immortal vampire slayer's films to date. I don't even know how that works, since him being apparently half-immortal grants him all of their strengths and none of their weaknesses it's more like he's double-immortal, a little bit human (the bit that occasionally smiles).

1998 Blade: Maybe the best translation from comics to screen of the 90s, this is a serious, pumping, dark action thriller. 

2002 Blade II: Guillermo del Toro's play to get the studios to allow him to produce Hellboy for them, by delivering a blackly humorous over-the-top action horror with many of the trappings of his later movies. 

2004 Blade Trinity: Forgoing a third director, New Line let David Goyer, the writer of all three take a shot at making a film, with disastrous results.

Guests:

Kaoru Negisa and

Debbie Morse of Sequentially Yours  

Victoria Grieve 

The Devil's Backbone

[School of Movies 2018]

After many months of promising, and many weeks of recording sessions which you are going to love hearing, the Guillermo del Toro season is finally here.

Our guest for the duration is Lorin Grieve and we go deep into the texture and detail of these movies together, drawing parallels, exploring symbolism and discussing the greater themes and the making of each.

We begin with The Devil's Backbone, a captivating ghost story set in an orphanage, during the Spanish Civil War. It is a tale of fear and greed, anger and compassion, and it's one of his best. 

These are essential viewing so track down the following on blu ray: Pan's Labyrinth, Hellboy 1 & 2, Crimson Peak and The Shape of Water. Next week we cover the Blade Trilogy, of which GDT directed the second.

Guest:

Victoria Grieve

The Emerald Forest

[School of Movies 2018]

Our final commission for the first half of this year is a jungle adventure based (really loosely, it turns out) on a true story. 

This one was very challenging for us. The film itself, as I state at the end, fails on almost every level for me, and has been bettered, countless times since its 1985 release, but there is still something of real merit inside.

We pull no punches and get angry about the way we, as a species treat environmental issues, and there are a bunch of callbacks to the more eco-friendly entertainment of our childhood. 

And we start of with maybe the most contentious speech I have given on this show regarding filmmakers whose work speaks to me. 

Next week: The Devil's Backbone

Solo

[School of Movies 2018]

The second of the Star Wars anthology films emerges a mere five months after The Last Jedi. We are used to that in the era of the MCU but with the galaxy far, far away it feels strange, especially as Rian Johnson's film went out of its way to both evoke the formula of Empire Strikes Back and subvert it wickedly, challenging audiences everywhere, and what Ron Howard's effort delivers is more of a space romp.

It's the origin of how Han met Chewie, how Han met Lando, how Han met The Falcon, how Han made the Kessel Run in an average of 13 parsecs, and how certain characters betrayed other ones. This is so prevalent an occurrence it may as well have had the subtitle Solo: No Honor Among Thieves. 

And lots and lots of people have enjoyed this movie. And I'm going to lay down some thought-provoking reasons why I wasn't among them. Fortunately we have some lovely guests who can talk about its stronger points. 

Guests:

Voice Actor Alex Eding

Kaoru Negisa and

Debbie Morse of Sequentially Yours  

Deadpool 2

[School of Movies 2018]

I'm going to go out on a limb here and say this is going to be the best thing you ever hear about Deadpool 2. I don't want to over-hype it, judge for yourself. 

There's a lot of mixed feelings as we weigh up the strengths and weaknesses of this sequel. 

If you've not heard them yet, we have done shows on all the previous X-Men movies, which can be found on the School of Movies Archive, an entirely separate feed on which we curate our back catalogue. 

http://schoolofmoviesarchive.podbean.com/category/x-men/

Guests:

Jason "Chewie" Slate of The Mana Pool

Brenden Agnew of Cinapse 

Ciaran Dachtler 

Jesse Ferguson

The Neverending Story

[School of Movies 2018]

We journey back to the small-scale fantasy boom of the 80s with this German-filmed adaptation of the book Die Unendliche Geschichte by Michael Ende. This is a commissioned show by Joel Robinson.

It's the simple tale of a newly motherless boy named Bastion who steals a magic book from a shop and reads it in his school attic. As the adventure he's engrossing himself in plays out it becomes apparent that something decidedly meta is going on.

It's an endlessly charming and sweet-natured film with memorable moments, crafted sets, earnest performances, haunting music and an unsettling darkness lurking beneath the twee exterior. 

If you experience some kind of existential crisis while listening to this one we are available to talk to about it. We certainly went to unexpected places on our own journey.

Next week: Deadpool 2

Fright Night

[School of Movies 2018]

We were commissioned to cover the original 1985 version but decided to incorporate the 2011 remake as well. 

A teenage boy named Charley Brewster is perturbed to find that the gentleman who just moved in next door is a vampire... named Jerry. But of course nobody will believe him. Charley's mother, his awkward friend Ed and his girlfriend Amy are all placed in danger, and he seeks out guidance in how to dispatch this denizen of darkness from local celebrity Peter Vincent.  

How both films go about this varies quite a lot, with one being an affectionate, gory homage to the vampire flicks of yesteryear, fading from popularity, and the other being a nerve-shredding take on the evolving concept of protecting one's territory. 

Our hypothesis is that because both films take different approaches to the same story they end up complimenting rather than repeating one another, and thus form a rare instance of balanced old and new.

Guests:

Kaoru Negisa and

Debbie Morse of Sequentially Yours