School of Movies

A Space for the Unbound

[School of Everything Else 2025]

A charming 16-bit style indie adventure game, set in suburban Indonesia in the 1990s. This begins cosy, deliberately evoking the familiar, and swiftly becomes strange and mysterious with a story of loss and grief and loneliness at its core; an ache longing to be relieved.

The gameplay involves exploring the town and getting to know the locals, jumping inside their minds to find out what their abiding internal conflicts are and help them deal with these. There is an impressive, melodramatic sweep to this whole thing and we are gratified and edified to have played the whole story as a commission for Tylor.

Crow Country

[School of Everything Else 2025]

A marvellously authentic and creepy modern Survival Horror in the convincing style of a PlayStation One title from the mid-90s conversely featuring inflections of more contemporary scary games. This one is available on Steam and Switch and PS4 and Xbox Series X.

There is an abandoned theme park to explore and mysteries to uncover, as we structure this episode into three sections. GREEN FINE: Means you can hear about the basic setup and still go in completely fresh if you want to know none of the surprises. YELLOW CAUTION: Makes up the majority of the show as we discuss how it goes about itself and what the experience is like. RED DANGER: Is all the juicy endgame material, where we get to fully draw back the curtain.

This was a commissioned show from Maya Santandrea and Selfproclaimed, and we are so glad they chose to set it before us. You will be too.

Resident Evil 4

[School of Everything Else 2025]

One of the most beloved, instantly-transformative, replayed, re-released, and critically acclaimed games of all time... and would you believe until preparing for this show, that I wasn't massively fussed about it?

But this year I have been replaying all of the original games sequentially, and after the first era of fixed-camera tank controls transitioned into the action-spectacle of 4 I was blindsided by how many fresh aspects of the gameplay and world that I appreciated. The 2005 GameCube hit is, as it turns out deserving of the historical adulation that has been heaped upon it. Moreover, going back to the 2023 remake, it seems Capcom somehow accomplished the impossible, improving upon (almost) every aspect.

Here now is a hyper-focused discussion with three other lovers of this game. The discussion ran long and meandered, and I elected to divide this show into two, with the second part; 'Blue Medallions' being released on the Patreon bonus feed where you can also find an After School Club on Resident Evil Zero and Code Veronica.

Jason Slate is holding a three-day charity stream in support of Trans Lifeline, from March 21-23 2025 Noon to Midnight each day Eastern Time at Twitch.tv/themanapool There are over a thousand Steam games to give away from his backlog and every $10 donation to this worthy cause gets you a game. Go watch Chewie play and give generously.

Guests:

Jason "Chewie" Slate of The Mana Pool

James Perkins @Mijmeister

Derrick Ritchie @thenewdelboy

The Music of the Marvel Cinematic Universe: Vol. 2

[School of Everything Else 2025]

All the way back in 2017 I put together an absolutely EPIC musical journey through the first eight years of the MCU, from Iron Man all the way up to Doctor Strange. So much time has passed since then (cue many gifs of Matt Damon drinking from the wrong Grail) and Marvel has not followed my sound advice about allowing each hero (and maybe a villain or two) to retain a theme that reprises with every subsequent appearance. However, that does not mean there haven't been some truly excellent scores composed, which got side-lined in the clickbaity rush to pronounce Marvel as being formulaic, failing or indeed signifying the baleful death of film.

Here for you now is a compendium of themes and sonic explorations as Phase 3 draws to its epic conclusion and Phases 4 and 5 wend their way from the small screen to the big and back again. I look forward to a third volume of these shows sometime in the early 2030s, when the Fantastic Four, the X-Men, Secret Wars and whatever happens with Spider-Man and whatever inevitable soft reboot brings us to a new era of superhero cinema.

1.     The Falcon and the Winter Soldier (‘Louisiana Hero’ by Henry Jackman)

2.     Guardians of the Galaxy Vol. 2 (‘Dad’ by Tyler Bates)

3.     Spider-Man Homecoming (Michael Giacchino)

4.     Thor: Ragnarok (‘Main Title’ by Mark Mothersbourough)

5.     Black Panther (‘Wakanda’, ‘Warrior Falls’ and ‘Killmonger’ by Ludwig Goransson)

6.     Infinity War (Alan Silvestri)

7.     Captain Marvel (‘Main Theme’ and ‘All Fired Up’ by Pinar Toprak)

8.     Black Widow (‘Yelena Belova’ and ‘Natasha Soars’ by Lorne Balfe)

9.     WandaVision (‘Opening Themes: 50s, 60s, 70s and 80s’ and ‘End Cretids’ by Kristen Anderson-Lopez, Robert Lopez and Christophe Beck)

10. Loki (Natalie Holt)

11. Shang Chi (Joel P. West)

12. Eternals (Ramin Djawadi)

13. Moon Knight (Hesham Nazih)

14. Ms. Marvel (Laura Karpman)

15. The Marvels (Laura Karpman)

16. Spider-Man: No Way Home (‘Forget-Me-Knots’ by Michael Giaccino)

17. Wakanda Forever (Ludwig Goransson)

18. Guardians Vol. 3 (‘Guardians vs Hallespawn’ / ‘Into the Light’ by John Murphy)

19. Thor Ragnarok Reprised (‘Twilight of the Gods’ & ‘What Heroes Do’ by Mark Mothersbourough)

20. Daredevil (John Paesano)

21. Jessica Jones (Sean Callery)

22. Luke Cage (Adrian Younge & Ali Shaheed Muhammad)

23. Iron Fist (Trevor Morris)

24. Werewolf by Night (Michael Giacchino)

25. Quantumania (Christophe Beck)

26. Agatha All Along (Christopher Beck)

27. Your Friendly Neighbourhood Spider-Man (The Math Club)

28. Deadpool & Wolverine (‘Bye Bye Bye’ by NSYNC & ‘Like a Prayer Battle Royale Mix’ by Madonna)

29. Avengers: Endgame (‘Portals’, ‘The Real Hero’ and ‘Main on End’ by Alan Silvestri)

The Music of the Marvel Cinematic Universe: Vol. 1

[School of Everything Else 2017]

NOTE: This is an archival episode from many years ago. 

Recently the excellent YouTube series Every Frame a Painting asked members of the public if they could hum any of the music from the Marvel films. Unsurprisingly they couldn't come up with anything. There are a few reasons for this, that I go into on the show, but this presentation right here is crafted to allow everyone to explore the music that has come so far. We laser-focus on the core melodies, the hero themes that were left by the wayside as the series evolved and we showcase the wide range of actually rather brilliant musical moments that have punctuated the Marvel Cinematic Universe.

Join me for an epic, three hour musical journey, run through the filter of my brain. By the end, if I've done my job, you'll be able to hum at least one piece of Marvel music.

1.   Marvel Logo (Thor: The Dark World)
2.   Back in Black – AC/DC (Iron Man)
3.   Mark II/Driving With the Top Down/Gulmira - Ramin Djawadi (Iron Man)
4.   Iron Man - Black Sabbath (Iron Man)
5.   Main Titles - Craig Armstrong (The Incredible Hulk)
6.   Thunderstruck - AC/DC (Iron Man 2)
7.   Black Widow Kicks Ass/ I Am Iron Man – John Debney (Iron Man 2)
8.   Shoot to Thrill – AC/DC (Iron Man 2)
9.   Prologue/The Compound/Forgive Me/Thor Kills the Destroyer – Patrick Doyle (Thor)
10.   Walk – Foo Fighters (Thor)
11.   Main Titles/Farewell to Bucky/The Star Spangled Man/Triumphant Return/Captain America March – Alan Silvestri (Captain America: The First Avenger)
12.   Main Titles/Helicarrier/Avengers Assemble/A Promise/End Titles – Alan Silvestri (Avengers Assemble)
13.   Live to Rise – Chris Cornel (Avengers Assemble)
14.   Main Titles/Can You Dig It? – Brian Tyler (Iron Man 3)
15.   End Titles/Into Eternity – Brian Tyler (Thor: The Dark World)
16.   Lemurian Star/Project Insight/The Causeway/To the End of the Line/Taking a Stand – Henry Jackman (Captain America: The Winter Soldier)
17.   Soundtrack Medley (Guardians of the Galaxy)
18.   The Kyln Escape/Groot Spores/Groot Cocoon (Guardians of the Galaxy)
19.   Age of Ultron Theme – Danny Elfman (Avengers: Age of Ultron)
20.   Escape - Roger Ayer (Ant-Man)
21.   Ant Man Theme – Christophe Beck (Ant-Man)
22.   Plainsong – The Cure (Ant-Man)
23.   Siberian Overture/Ancestral Call/New Recruit/Closure/Cap’s Promise – Henry Jackman (Captain America: Civil War)
24.   Sharks Don’t Sleep – Dean Valentine (Civil War Trailer)
25.   New Marvel Fanfare
26.   Strange Days Ahead/The Master of the Mystic End Credits – Michael Giacchino (Doctor Strange)

The Great Muppet Caper / Muppets Take Manhattan

[School of Movies 2025]

The second and third parts of the original Trilogy of Muppet movies made while Jim Henson was alive, voicing Kermit and taking a heavily active role in production.

The former from 1981 is a jewel heist that brings the anarchic furry ones to England, populated by only polite people (a trope which causes the two of us endless amusement) and very much concerns itself with pushing puppetry magic tricks on the big screen to their limits. This one, directed by Jim was in the immense shadow of the original Muppet Movie.

The latter, from 1984 brings them back to New York as college graduates who want to put on a big Broadway musical and run up against the gritty realities of real life (along with a cloyingly cute debut for The Muppet Babies. This more grounded take was directed by Frank Oz and for us it is a commissioned show by Dean R.

Guests:

Mackenzie Eastram  @KenziePhoenix of Rainbow Connection @MuppetsPod  

Nathan Eastram @bertnerdtram These two are also part of DiceWeave @DiceWeavePod

Palm Springs

[School of Movies 2025]

We round off Groundhog Month with a time loop movie that explores with even more depth how being stuck in a single day would effect a person's outlook on life, their philosophy and their actions.

Taking its cue from the early script idea for what became the Bill Murray classic, we begin by observing a man named Niles, already locked in his time loop, from the point of view of Sarah. She then gets dragged into a loop of her own and finds herself trapped as Maid of Honour for her sister's wedding every single day, a scenario made so much worse due to Sarah's shameful secret. To make matters worse, Niles is also being stalked by the last person he blunderingly marooned in Today; a steaming-mad J.K. Simmons.

It's blackly comic, filthy and thought-provoking with things to say about our existence, and it makes for the ideal existential closer on this topic (for today at least).

Guest

Jesse Ferguson @TheDapperDM

from the Recorded Tomorrow Podcast

Happy Death Day

[School of Movies 2025]

This is not a Horror movie (or rather, it qualifies enough for that genre in terms of certain expected tropes and elements, but that is not its mode of conduct, and for people expecting conventional Horror, there's a lot more there in its place).

That's what should have been on the poster and promotional artwork, and in the trailers, and threaded through the interviews and general marketing speak surrounding this film. Though doing so might have hurt its 25x multiplier as yet another Blumhouse success story.

That misdirection helped it THEN, in 2017, I'm thinking more about helping it NOW in the 2020s, when viewers who do not like Horror genre movies (in particular cruel slasher movies) would almost certainly steer clear of what is actually one of the freshest, funniest star features in recent years, spotlighting Jessica Rothe, an actress of insane range with serious comedic chops.

It is superficially Groundhog Day with a stalking masked killer, but concerns itself less with the gory specifics of womanslaughter and more with the mechanics of trying to get oneself out of a blackly comic and fatal time-loop, as what is built up around the character of college student Tree Gelbman is a much-needed break in her cycle of self-destruction.

And on our Patreon bonus feed this weekend we have a full-length episode on the 2019 sequel; Happy Death Day 2U which leans even harder into the sci-fi, actively forgetting it was pitched as a slasher (and thus only doing seven times its budget at the box office).

Guest

Jesse Ferguson @TheDapperDM

from the Recorded Tomorrow Podcast

The Wizard of Oz

[School of Movies 2025]

One of history's abiding classics, and one of the oldest films we have ever covered on this show, the 1939 Wizard of Oz starring Judy Garland is joined here with several key points of comparison to establish why it really hold up.

We've already recorded a whole episode on the dark, late sequel, Return to Oz (1985) though it does get mentioned here, as well as Jon M Chu's 2024 cinematic adaptation of the first act of the Wicked stage musical.

But we also invoke the original book, written by L. Frank Baum in 1900, reference the tumultuous filming process by MGM, the toll it took on Judy Garland, as seen in the 2019 biopic Judy. And finally we sing the praises of The Wiz (1978) a valiant effort to make this story relevant to black America. One thing is clear, this is the most I've ever enjoyed talking about Wizard of Oz, and a lot of that comes from having the ever-insightful Willow on as a guest.

Next week it's Happy Death Day (2017). You can listen without watching the movie but definitely make plans to see the movie! And we have a rather important announcement to make at the end of this one.

Groundhog Day

[School of Movies 2025]

We’ve been holding this episode back for a special occasion and it seems like 2025 'The year of Joy' is the time to finally crack into one of the richest and most universally gratifying films in history. A hundred years from now, people will still be watching this film, It’s a Wonderful Life and The Shawshank Redemption.

Accompanying us in this time loop journey from mundane resentment to confusion, to panic, to exploitation, to emptiness, to the nadir of self-destruction, to the revelation of reflection, to the zenith of living to enrich the lives of others, and thus experience repletion is Jesse Ferguson. Jesse is one of the few guests we know who can comprehend the knottiest of time-travel conundrums whilst fully understanding that the story at the heart of what's being told is far more important than any speculative, temporal shenanigans.

Plus Bill Murray is a hoot, this is his best film, as well as being the finest offering from his friend and director Harold Ramis. It is endlessly memorable, profound, and touches upon a universality of shared experience. We are all alone, and we are all together.

Guest

Jesse Ferguson @TheDapperDM

from the Recorded Tomorrow Podcast