Episodes
Friday Jan 03, 2020
The Rise of Skywalker
Friday Jan 03, 2020
Friday Jan 03, 2020
[School of Movies 2020]
The Star Wars Saga draws to a close for the third and (not) final time. We got to see how J.J. Abrams was at finishing rather than beginning, and my guests and I were presented with the task of somehow making a show that would be satisfying to a lot of different people going through wildly different responses.
What we came up with may surprise you. And it culminates in a new way of seeing the Star Wars series in general, which might just be the key to us moving forward.
Guests
Jason "Chewie" Slate of The Mana Pool @TheManaPool
Voice Actor Alex Eding @AlexEding
Brenden Agnew of Cinapse @BLCAgnew
Neil Taylor of TheKidDogg @KidDogg
Friday Dec 27, 2019
The Sound of Gonzo: Vol 13 [The Star Wars Prequel Trilogy]
Friday Dec 27, 2019
Friday Dec 27, 2019
[School of Everything Else 2019]
In a bid to search for the best in everything I recruited James Batchelor to journey back to the three films with which I started my movie podcast career in earnest. Back in 2010 that took the form of a raw torrent of frustration and derision, but I'm trying to save that for the deserving.
Instead, this time round, my enthusiastic colleague and I have found the best pieces of scoring within those three films, to showcase for all of you. Join us for a journey from trade disputes to genocide, as we traverse the story of Anakin Skywalker's fall to the dark side retold through the scores of the legendary John Williams.
1. Star Wars theme/The Federation Battleship
2. Fighting the Destroyer Droids
3. Arrival on Tatooine/The flag parade/Anakin is Free
4. Anakin’s Theme
5. The Duel/The Droid Battle
6. The Parade (Augie’s Great Municipal Band)
7. The Younglings/Meeting With Fett
8. Across the Stars
9. Confrontation with Count Dooku and Finale
10. Battle Over Coruscant (Intro)
11. Padme’s Ruminations
12. The Great Jedi Purge
13. Anakin’s Dark Deeds/I’m So Sorry
14. Anakin vs. Obi Wan
15. The Immolation Scene
16. I Know There’s Good in Him
17. A New Hope/End Credits
Friday Dec 20, 2019
The Dark Crystal
Friday Dec 20, 2019
Friday Dec 20, 2019
[School of Movies 2019]
In this episode we cover both the 1982 Jim Henson movie and the 2019 Netflix series; Age of Resistance. You can listen to our podcast first, it will make both better.
One of the most striking, extraordinary and dignified attempts at the fantasy cinema of the 1980s, the original movie was massively important to few, but Sharon was among them.
There was absolutely no rational reason why Netflix would attempt a show based on a property that didn't exactly set the box office alight 37 years earlier, much less that they would opt for the practical puppetry which made that film extraordinary over the standard CG creatures of 21st Century entertainment.
And there was absolutely no way that this could end up one of the most beautiful, extraordinary TV shows ever made. That it would feel more sharply relevant now in an era when the obscenely wealthy cartoon villains who are our excuses for rulers feast upon the figurative essence of those they deem lesser beings.
And yet, here we are.
Guests
Lorin Grieve @VixenVVitch
Mackenzie Easton @KenziePhoenix of Rainbow Connection @MuppetsPod
Nathan Bertram @bertnerdtram of Video Game: The Movie: The Podcast @VGTMPodcast
Friday Dec 13, 2019
Moana
Friday Dec 13, 2019
Friday Dec 13, 2019
[School of Movies 2019]
This was the film that convinced me though theatrically-released hand-drawn animation is gone that the future is in good hands all the same.
John Musker and Ron Clements made their Disney directorial debut all the way back in 1986's Great Mouse Detective. They then followed that up with a double-whammy of The Little Mermaid and Aladdin, forming the foundation of the 90s renaissance (and sandwiching Beauty & the Beast).
They went on to helm the delightful disappointments; Hercules, Treasure Planet and The Princess & the Frog, which failed to hit those box office figures but proved to be firm favourites with die hard Disney fans. And here they bid farewell to directing, twenty years after they began with their first 3D animation gig, that also could be argued as one of the most beautiful ever created within that medium. That this was both their first and last is as surprising as it is bittersweet.
But enough about two lovable old white men, this is a film where the house of mouse stepped in the right direction, consulting with Pacific Islanders to create something more culturally aware (though still anchored to the brand).
Small steps.
Guest
Daniel Floyd of New Frame Plus @DanFloydPlus
Tuesday Dec 10, 2019
Zootopia
Tuesday Dec 10, 2019
Tuesday Dec 10, 2019
[School of Movies 2016]
This was a show we recorded way back in 2016, that simply couldn't wait the three more years it would take to bring us up to date. Dan was not available this time round so we brought in some anthropomorphic animal specialists in his absence.
Friday Dec 06, 2019
Big Hero 6
Friday Dec 06, 2019
Friday Dec 06, 2019
[School of Movies 2019]
It appears to be decreed that Disney must sandwich every princess film in their animated classics canon with one that is either accessible to the whole family (like Zootopia) or one that at least suggests it will appeal to male-coded interests. In this case Wreck-It Ralph with all those video games (that girls love too) and Big Hero 6 with all its superheroes (that girls love too).
In this case Disney's first attempt at adapting a Marvel comic book with no connection to the MCU this one takes a virtually unheard of Joe Kelly book from the 90s which had not quite a dozen issues to its name and turned it into something like The Iron Giant, something like what would eventually be Bumblebee and something like Into the Spider-Verse. Two films that would improve upon elements of this formula.
And whilst we don't love it as much as any of the above there is something kind of wonderful about Baymax, and there are things we can learn from this film about living with grief and crazy science that are of genuine benefit to us, moving forward.
Guest
Daniel Floyd of New Frame Plus @DanFloydPlus
Mackenzie Easton @KenziePhoenix of Rainbow Connection @MuppetsPod
Thursday Nov 28, 2019
Frozen
Thursday Nov 28, 2019
Thursday Nov 28, 2019
[School of Movies 2019]
The Disney series continues, and in fact this run of four episodes (including the re-release of the 2016 show on Zootopia) marks our project finally coming up to date, since we began this way back around the time Frozen was being released. We will of course return in years to come with another stretch of episodes on Ralph Breaks the Internet, Frozen II, Raya and the Last Dragon and whatever comes next. But for now this gets us to a place we want to be.
I think people forget, because of all the airplay that one song got, because of all the merchandising and ubiquity of these characters within Disney's self-identifying brand just how GOOD this movie actually is. When you watch it again the script is really strong, it's progressive in a way that challenges their somewhat dated fairy tale elements in a positive way. And not just that one song but ALL of the musical numbers are fantastic (except one and we'll go into that). It's beautiful and thought-provoking and soulful and sometimes a little more sharp than we might expect.
If Disney was going to make a billion dollars and decide that the way forward was to replicate that success, I'm glad it was this one.
Guests
Daniel Floyd of New Frame Plus
Spencer Leeb of The New Century Multiverse
Friday Nov 22, 2019
Doctor Sleep
Friday Nov 22, 2019
Friday Nov 22, 2019
[School of Movies 2019]
The saga of The Shining continues with a new generation being hounded by the very eldest.
This is one of those movies that nobody really expected. The original decades-old novel and film are at war with one another, and this drastically belated sequel is the battle-ground. Yet what transpires harmonises both in a supremely confident fashion.
And hardly anybody saw it. So it's our job now to explore the shadowy, steamy depths of Doctor Sleep, establish what Stephen King was saying with his books and how director Mike Flanagan (fast becoming an understated mainstay in the horror milieu) reinterprets the best of multiple mediums... in every possible sense of the word.
This is one of our very favourite films of 2019. You can listen if you haven't seen it, most people haven't. The plot developments and character movements we discuss won't spoil the film, they will improve it.
Friday Nov 15, 2019
The Shining
Friday Nov 15, 2019
Friday Nov 15, 2019
[School of Movies 2019]
The Kubrick season concludes with arguably his most celebrated film (the only other contender being Space Odyssey).
This is the one we set out to talk about, but we had to try our level best to understand the men behind it as we did so. Making this a continuation of our Stephen King adaptations series where we compare the book and film (including IT, Pet Sematary and at some point in the future Stand by Me, Misery, The Green Mile and The Shawshank Redemption).
So we watched and talked about everything Kubrick made since 1968, and we read through King's books of The Shining and Doctor Sleep. This really was a grand project and took a lot out of us, but crucially we tried to have fun along the way so it would feel worth it.
The end result is a pair of immensely detailed shows, including Doctor Sleep next week, wherein we discuss how these two creators' different outlooks permeate the cinematic story of Daniel Torrance over 39 years.
Friday Nov 08, 2019
Full Metal Jacket / Eyes Wide Shut
Friday Nov 08, 2019
Friday Nov 08, 2019
[School of Movies 2019]
The Kubrick season continues with his creations from the 80s and 90s.
First, a harsh, black vision of the experiences of United States Marines in the Vietnam War. Beginning with their training at the hands and barking yell of the apparently lone Gunnery Sargent Hartman. Then a confused meander through various areas of the war-torn country, searching for meaning that does not reveal itself.
After that Tom Cruise finds out that Nicole Kidman once thought briefly about having an affair and journeys out into the New York Night for a sexual odyssey that was deliberately designed to be seedy, uncomfortable and weirdly puritanical.