School of Movies

Metal Gear Solid

[School of Everything Else 2021]

This show was recorded a long, long time ago, pre-pandemic, and has been in cryo-storage, waiting to be unleashed. It's all about the 1998 seminal classic, Metal Gear Solid by visionary, genius, dirty old gimmer and maddening eccentric Hideo Kojima. It was an absolute linchpin of my formative years in gaming, and to my mind has only been bettered in the rest of its series dramatically speaking with Snake Eater.

For this show I went to the absurd lengths it took to acquire the GameCube remake "The Twin Snakes", allowing me to not only appraise that maligned shift in engine and ramped up post-Matrix style, but also to make a serious statement on the importance of not only remakes but remasters, and in continuing them down the line of machines, as lack of backwards-compatibility leaves more and more titles in an unplayable state for the average gaming enthusiast.

We go into the innovative metatextual gameplay, the crazy characters and foreboding, yet satirical atmosphere as we piece together what made this one such a massive winner. 

Guests:

Toby Jungius @TJungius of Through the Wind Door 

Derrick Ritchie @thenewdelboy

About Time

[School of Movies 2021]

Richard Curtis has only directed three films in his career. Usually he relegates himself to writing and producer roles, and you can always tell when you're watching one of his movies. Certain recurring character types and themes keep re-emerging.

The first directed was Love Actually, the second The Boat That Rocked, but this third and reputedly final effort is genuinely a cut above everything that came before. It's not without its issues, as we will go into on the show. Painfully British, painfully white, painfully upper-middle-class, and imbued with an adoring yet patronising view of woman.

But it has a huge heart. It's a time travel story that really gets how the philosophy underpinning its story can absolutely apply to our own lives, devoid of quantum physics. It also has one of cinemas all-time best Dads in it, in the shape of Bill Nighy. So we recruited the same time travel expert who helped me with my own book on that tricky subject, to help us discuss what about this film works so well.

Guest

Jesse Ferguson @TheDapperDM

from the Recorded Tomorrow Podcast

Resident Evil 3: Nemesis

[School of Everything Else 2021]

This show was recorded back in 2020 not too long after the remake of the 1999 game was released, so there will be speculation regarding which direction Capcom will take the series, rather than a focus on Resident Evil VIII (which at the time of release was launched just days ago).

This was to Resident Evil 3 (the sequel to one of my favourite games of the 1990s) in a way that its remake is to the remake of Resident Evil 2 (one of my favourites of the 2010s). And it was a pivotal moment for both the original and the remake, when Capcom took the series in a direction that began like the cautious survival horrors of the previous decade but then evolved into crazy action. And our discussion is about how that seems like an inevitable path once again, and why this cycle might not be that bad.

This show is being released after well over a year of pandemic, though recorded at the beginning. It remains the biggest in my lifetime, and people are scared. So there's still a certain strange appeal about the notion of confronting our fears and seeing them symbolically rendered into disgusting undead beasties we can shoot, stab and evade. That makes this game either wildly inappropriate for our times or the most appropriate.

Guests:

James Perkins @Mijmeister

Derrick Ritchie @thenewdelboy

The Falcon and The Winter Soldier

[School of Everything Else 2021]

Marvel's second TV show directly tying in with the MCU. What are we calling this now? As I write these words cinema is in a chrysalis, having gone to hide in there the moment James Bond looked like he might get another mission. And yet Falcon as a TV show is legitimately "Cinematic" in its presentation. I mean the dictionary definition of the word.  

But then, so is a lot of TV now. And WandaVision was the most Televisual a show could get, by design. And there's something frustrating for everyone who invested in Agents of S.H.I.E.L.D. or the Defenders shows, or those three who liked the way Inhumans was done. All this TV that purported to be part of this universe but was in fact filmed in a sealed pocket, unable to have any ramifications upon the wider saga. 

Whatever name gets conjured (still waiting on what that Lion King remake can be defined as) Falcon is an incredibly gripping six episode miniseries that retains the feel of the latter Captaon America films. But there's new ingredients now, and highs and lows exhibit themselves as it becomes apparent that some elements of this story of carrying the shield in a troubled world play better than others.

Guests:

Alasdair Stuart of Escape Artists Inc. @AlasdairStuart 

Greg Downing of Through the Wind Door @MightyGregDoge 

Austin Wilden from our Discord @WC_WIT 

Raya and the Last Dragon

[School of Movies 2021]

Disney tries its hand at a South-Asian fantasy, and what do you know, we really like it.

Daniel Floyd returns as we talk about the first of the animated classics series which was not launched exclusively to theatres, but also Disney+ for a preview for of $30 / £20

Quite apart from everything else that makes this a difficult sell for people living on their own, or in households where only one person likes Disney. However, so much of this being created at home by various Disney artists while on lockdown breaks all kinds of new precedents and makes this one rather special. 

Stonespring Maidens can be had in paperback form

The New Century Multiverse Podcast 

Guest

Daniel Floyd of New Frame Plus  @DanFloydPlus

Ralph Breaks The Internet + Frozen II

[School of Movies 2021]

The Disney series continues with two sequels. 

In the first of these Ralph and Venelope travel to a version of the internet as reimagined by Disney. The little race driver then finds a newfound calling in the apocalyptic street combat of Slaughter Race, which sends Ralph into a spiral of separation anxiety. 

And in the second, six years in the making, the follow-up to maybe their most beloved film of the modern era, the treasured characters are taken on a new adventure up North to discover things about themselves. 

Next week we're back on track with their excellent latest instalment, Raya and the Last Dragon. Dan sat this episode out but will be back for Raya. 

Stonespring Maidens can be had in paperback form, and the first episode of the audiodrama will air May 6th.  

Guests:

Hollywoo Actress  Maya Santandrea @Mayasantandrea

Godzilla vs. Kong

[School of Movies 2021]

The fourth, and potentially final outing in the Warner Bros. Monsterverse series. Following Godzilla II: King of the Monsters (2019) which is magnificent and to many the pinnacle of this quartet, Kong: Skull Island (2017) which is most definitely worth seeing to acquaint yourself with *this* version of the giant gorilla, and finally Godzilla (2014) which was the most popular at the box office yet seems to be the least enthusiastically recalled. 

In this show I come up with yet another food metaphor for each of these four, and we discuss what might have been left on the cutting room floor in the attempts to streamline this thing into a lean, fun, colourful, fast-paced series of spectacular wrestling matches. 

Guests:

Dan Hoeppner  @MightyMegatron0  of Leftover Army Monsters

Brendan Agnew of Cinapse  @BLCAgnew

The Others

[School of Movies 2021]

An elegant, haunting Spanish-style ghost story of obsession and loss. This Gothic chiller materialised in 2001, from director Alejandro Amenabar (who also composed the score, which flits from comforting flute and harp to clangourous and menacing cacophony).

This was a commissioned show from Nicole-Kidman-appreciator Colin L. Dysart, and he picked one of our favourite performances of hers. This was the one that made us think she would be an ideal Marisa Coulter in His Dark Materials. She plays the whole thing with a brittle, fierce tenacity, clinging to what she believes is true, as her world unravels in this shadowy Jersey stately home.

It's also got some terrific child-actor performances, as the two endangered kids start to cotton onto the possibility that there may be more going on with the intruders to their home. It is a ghost story where light is so much more threatening than darkness.

Zack Snyder's Justice League

[School of Movies 2021]

After the moderate box office takings and middling-to-negative critical responses to Man of Steel and Batman V Superman: Dawn of Justice Warner Bros. became increasingly worried that they had placed the DC Expanded Universe in the hands of a director who appealed to an increasingly niche crowd who would not make them the billions of dollars they wanted.

Seeking to just get the third film finished quickly and cheaply in a way that would appeal to the middle, so that they could course-correct for later financial investments WB relieved Snyder of directorial duties (which coincided with family tragedy) and hired Joss Whedon to magic the footage they had into an Avengers-level success. The result delighted few (we covered it at the end of 2017).

Then after years of online demands, and a pandemic which made traditional filmmaking extremely difficult, Warner invested a sizable additional chunk of change into the prospect of Snyder restoring his version. The resultant four-hour opus was utilised to upsell an online subscription service. The niche audience were delighted. 

Return to OZ

[School of Movies 2021]

The Commissions Season continues with a show sponsored by Maya Santandrea. Much like last year's Labyrinth show, this is also a story about a girl who travels inward on her fantasy adventures and winds up uncovering certain key things about herself.

It is based on two of the L. Frank Baum OZ novels, from which The Wonderful Wizard of OZ was also adapted in 1939. There have been other adaptations before and since, including Wicked and OZ: The Great and Powerful.

This one, however, released by Disney in 1985 to critical derision and scared, offput audiences who seemed to want a bouncy musical rather than a dark fairytale, eventually became an obscure cult classic. Those who love it do so with a passion, and we are here to talk about why that may be. It should be available to view on Disney+.

Guests:

Hollywoo Actress  Maya Santandrea @Mayasantandrea

Jason "Chewie" Slate @TheManaPool 

From Sequentially Yours  Kaoru Negisa  @Moonpanther22

and Debbie Morse  @bastet8300