School of Movies

The Company of Wolves

[School of Movies 2022]

This is an obscure coming-of age fable from the director of Interview With the Vampire and The Crying Game. It was made on a very low budget in 1984 in Shepperton Studios, England, but it has some of the best werewolf fiction within its toothy confines. 

The framing device is a young girl who has gone to bed with tummy cramps. In her restless dreams she ties together various cautionary tails about Red Riding Hood, the boy who cried wolf, visitations from the Devil himself, wedding-day curses and strange men with one eyebrow and shocking yellow irises. The teller of many of these stories is the great Angela Lansbury, who at the time of release for this show, only just closed the last page of her own book. 

And the whole thing is an allegorical anthology about the girl's growing, changing body, her sense of identity and burning curiosity.

Stay tuned to the end for news about a brand new Gothic Anthology book we've helped to create.

Ghostbusters: Afterlife

[School of Movies 2022]

It is a confusing time to be a lover of Ghostbusters. On the one hand you have the long-planned but never-realised Ghostbusters 3 reunion Dan Aykroyd always had plans for. On the other you have the 2016 oops-all-ladies remakeboot which plenty of people enjoyed yet made some guys so mad they burned down half the internet and scared Sony (as well as malignantly harassing several of the stars away from social media).

And on the third hand you have the hot new take that the 1984 original movie is in fact capitalist trash and some compelling arguments about demonising the Environmental Protection Agency in Reagan-era America. And then there's this fourth movie that upon announcement met a storm of derision, perceived as placating those rotten fans mentioned above. And when it finally came out, late in 2021 it was so meek and inoffensive that it barely registered in a year when going back to the cinema was both special and risky.

The prevailing view is that it was also trash. So we brought in someone who helped us talk about the original two movies all the way back in 2013 to detail why it's their favourite! 

Guest:

Taylor Nova of GameBurst @TaylorNova6

NOTE: This episode was recorded almost a year ago, and in an instance of spectacular timing, the final edit emerged within hours of some horrible reports on both Bill Murray and Ivan Reitman. This is why nearly all of my heroes are fictional. Because when you hear Captain America was horrendous to someone, that's on the writer. 

Smile

[School of Movies 2022]

WARNING: This episode contains lengthy discussions on depression, trauma and suicide. 

You do not need to see this movie before listening to the episode. In fact, in a rare instance we actually suggest you *don't* see it, for reasons we will be elaborating on at length.

It has reviewed well, and as with many horror movies based on a simple hook that shakes people up, it has done gangbusters at the box office. That puts it in league with Saw and Paranormal Activity and Insidious. And as you'll hear, on a technical scale, in terms of moment to moment nerve-jangling scenes it ties itself together with a confidence that makes debut director Parker Finn likely to be successful moving forward.

As I watched I became aware that the premise was uncannily similar to It Follows (2014) by David Robert Mitchell, and I've seen many people online echo that similarity. However, my idle brain found nine further films that this clearly draws from, which makes a spread of influences that is either shameless or impressive, depending on perspective. But that isn't the reason not to see it. 

Guest:

Spencer Leeb of The New Century Multiverse

If you have ever felt the need to talk to somebody about this very serious and personal state of mind please bookmark whichever of these is helpful to you.

USA: 988 Suicide & Crisis Lifeline 

UK Samaritans 

Get Help, Talk Suicide: Canada 

Australia Lifeline 

Find a Helpline: Emotional Support in 150+ Countries 

Lightyear

[School of Movies 2022]

It is hard to approach the Pixar of the 2020s with the same eye as the Pixar of the 2000s. For a long while this was a barely-interrupted chain of truly excellent and game-changing 3D animated films which signified to other studios that they didn't have to copy Disney in order to attain success, they could get their own Shrek. Their story structure was always reliably potent and they could blindside you with poignancy. 

Then, as with disposable blockbusters, live action remakes of their hand-drawn heritage, unnecessary sequels, spin-offs, Star Wars and now Marvel, Pixar fell into the rhythm of the infernal Disney machine which appears to prize quantity over quality. But I feel uncomfortable even in the act of criticising a megacorporation who I want to see do better because there are so many bad-faith commentators out there getting performatively angry over every release. 

Lightyear is based on a premise which instantly neither works nor makes sense. It is ostensibly a film from 1995, and yet at no point does it NOT feel like Pixar's fifth film release since the Pandemic began. And this is where the missed opportunities only begin!

Analyze This

[School of Movies 2022]

Our favourite mafia movie, even over the venerated classics, for reasons that will become immediately apparent. This 1999 comedy directed by Harold Ramis was made at almost exactly the same time as The Sopranos first season was developed. Both explore the very real anxiety that comes with a lifestyle that is inherently dangerous, as well as one that involves such a close-knit family and all the loyalties, hopes, dreams, betrayals and disappointments that come with every other family, only this kind whack people for betrayal.

And we knew exactly who to call on for this analysis, our Australian buddies from The Two Shrinks Pod. Together with these professionals we delve into Robert De Niro's disarmingly vulnerable take on a worried father and a still-grieving son, along with Billy Crystal's harangued shrink, positively terrified of winding up sleeping with the fishes, whilst nursing his own paternal resentment.  

School of Movies and Two Shrinks are part of the podcast group Fireside Alliance. Come along and check out the other shows we rub shoulders with. https://www.firesidealliance.com/

Guests:

Dr Hunter Mulcare @realhuntermmm 

Amy Donaldson of @TwoShrinksPod

Four Slices of American Pie

[School of Movies 2022]

WARNING: This episode contains foul language and repeated references to very crude sexual situations, bodily fluids and some nasty-as-hell behaviour. Thou art warned!

This began as a simple re-watch of the original 1999 film "American Pie", but it quickly spiralled into a look back on the gross, frat-house movie craze of the early 2000s. We go through each film in turn and mine them for anything even remotely positive, before spanking the living hell out of them for their awful, creepy and sometimes disturbing attempts to wrestle laughs out of an audience that was growing up faster than they were.

American Pie 2 (2001) reunited the gang for spring break, American Wedding (2003) saw two of the more wholesome characters get married, whilst also depicting what I dubbed then and now as the death of comedy, maybe even the death of narrative cinema! And then the one with the most potential for retrospection on our own filthy, mistake-filled youths American Reunion (2012) brought everyone back as adults, thinning hairlines and disappointment all-round. And somehow, despite all the ingredients being present, they managed to bake their most rotten apple pie last! And yet despite all this, we managed to pull together one of the most fun shows we've done. This is going to be a favourite for some listeners. 

Thor: Love and Thunder

[School of Movies 2022]

Back when this was announced there was all kinds of excitement. Thor, much like his buddy Hulk was a character it seemed like Marvel took a while to get a handle on, relative to the duo of immediate home runs with Iron man and Captain America. The first film was a relative success, he contributed greatly to the chemistry of The Avengers, but then underwhelmed in The Dark World and felt vestigial in Age of Ultron.

But Taika Waititi and Chris Hemsworth's 2017 Ragnarok reinvention revealed a hilarious and savvy rogue still with his roots in the earnest early performances. This was followed by two wildly popular Avengers outings which harnessed a palpable rage and grief (though not without a problematic amount of fat-shaming). This evolving dimensionality made it seem like it was worth a victory lap, bringing Waititi back in. The spotlighting of Jane Foster and Natalie Portman's unexpected returned to the series adapting Jason Aaron's recent comic run. 

It seemed very likely we would get an evolution of what the world saw Thor as. Especially considering the villain this time was largely sympathetic, as a simple man entirely let down by a pantheon of absurdly privileged complacent gods...

And then we watched the movie.

Guests:

Nama Chibitty @namathenerd

Austin Wilden @WC_WIT of Wits-Writing

Everything Everywhere All At Once

[School of Movies 2022]

A truly magnificent film about pondering the nature of existence and being trapped between nihilistic despair and existential motivation.

But also a touching and painful drama about a little, broken Asian family who no longer know what to say to each other any more.

But also a spectacular running battle of martial arts and clownery, nestled inside a high-concept sci-fi about jumping between dimensions and occupying the bodies of the alternate versions of yourself, and borrowing the abilities they honed leading different lives to you.

This was a commissioned show, because there was SO MUCH to talk about that we would have delayed it forever otherwise. But now it's one of our very best shows. And that is due mostly to our guests who had so much to say. Nothing but editorial was cut. We've given you Everything!

Guests:

Brenden Agnew @BLCAgnewof Cinapse

Maya Souris @TheStuntLady

Greg Downing of Through the Wind Door @MightyGregDoge

Alejandra Vargas @Plutoburns

Chris Finik @finmonster09

Speed Racer

[School of Movies 2022]

Our unexpected year of the Wachowskis continues with a 2008 movie that fans feel passionately about, and a strong sense of it never really having a chance, being released the same summer as Iron man and The Dark Knight.

A squeaky-clean blockbuster painted in a dizzying kaleidoscope of primary colours with intense greens, pinks and purples to deliver what was supposed to feel like an anime in live action, but due to its unique and striking editing style of talking heads describing past, present and future events as they transition in real-time it winds up being entirely singular in its cinematic field.

There really genuinely is no other film quite like Speed Racer. Allow us to elucidate why you need to see this on the biggest, brightest screen available.

Guests:

Alexa Vargas @Plutoburns

Nama Chibitty @namathenerd

They Live

[School of Movies 2022]

We venture back to John Carpenter for maybe his least marketable, most angry movies. You are probably aware of all those memes where a guy looks at a sign with sunglasses on and sees something direct and insidious usually masked with advertising. This is the film that's from.

In fact what surprised me after we finished recording was checking out those memes and finding that so goddamn many of them are from dudes who have decided that the liberal media, feminism, and the LGBTQIA+ community are the dominant overlords manipulating civilisation from a place of supreme power. It is tragicomic as a conclusion.

Anyway, this 1988 Matrix prototype starring a charismatic WWF wrestler is all about how alien lizard people control us through brainwashing. It can be a tough pill to swallow, you may have to spend an hour punching your best friend in the junk until he will accept this reality. 

Guest:
Maya Souris @TheStuntLady