School of Movies

Searching

[School of Movies 2025]

An absolutely fascinating 2018 movie where the challenge for the filmmakers was to confine themselves only to a computer screen and the various apps and websites, embodying John Cho's frantically worried David Kim as a blinking cursor, scouring the internet for any trace of his missing teenager Margot.

None of this would be anywhere near as riveting if they didn't hook you early with a small, personal tale of a fragile, happy family, made familiar in digital home movies. The opening of the film rivals Pixar's UP in terms of soft-hearted appeal and devastating loss until you're fully on board and wholly behind the salvaging of the strained father-daughter relationship that remains. But the formerly exciting information superhighway is now an intimidating labyrinth that devours people's lives whole, and Margot may now be beyond David's reach.

This was a commission for Greg Downing and we firmly suggest you watch Searching before listening to our show. But don't wait, don't put it on hold. Go find it now. Track it down like a cybernetic sleuth and experience one of the most innovative indies of the past decade.

RRR: Rise, Roar, Revolt

[School of Movies 2025]

One of the most astonishing action epics in cinema history, and almost nobody who saw it managed to do so in the cinema! At least in the West. This historical epic, popularised by Netflix plays extremely fast and loose with the facts, reimagining the lives of two of India's most celebrated revolutionaries to have intersected.

RRR tells the story of Komaram Bheem, a man of the Gond Tribe who is searching for a little girl taken from his people by despicable English Colonial Governor Scott Buxton. Worried about the human tsunami inbound, Buxton's awful wife brings in Police Officer Raju to intercept and catch Bheem alive. BUT in Shakespearean fashion, the two under assumed identities unknowingly become firm friends, and as it turns out Raju is secretly trying to climb the ranks and gain access to guns for a revolution, and the best way to do that will be to stop his new brother-in-arms and bring him in for execution.

It is a rip-roaring tiger-tale of unbound ferocity, mixed with a refreshingly gentle take on male bonding. It is also of course rather troubling in its political and cultural implications, which we will elaborate upon in this firestorm of a podcast.

The Super Mario Bros. + A Minecraft Movie

[School of Movies 2025]

Two of the most successful films of the 20s, both of them built on the winning formula of bewildered people from the real world being plunged into an alternate dimension which allows them to encounter pleasingly recognisable elements from the video games that general audiences like, on their way towards assisting with deposing a tyrannical warmonger.

The problem for us is that Super Mario Bros. is a long-running and beloved series of platformers, kart racers and RPGs, whereas Minecraft is a creative building block survival indie hit gone corporate phenomenon, that wound up dominating the 2010s to the point of being used as a teaching aid in schools. These are VERY different kinds of games... so why are their movies the same?

This show combines my 2023 first impressions After School Club on the Mario movie, and new recordings where Sharon and especially Willow (the catchment audience) talk about both of them.

I Saw the TV Glow

[School of Movies 2025]

As soon as we saw this thickly atmospheric, Lynchian lucid nightmare from 2024, Sharon and I knew we had to do a very particular show on it. Since the entire context is trans-anxiety which the majority of cisgender people may find impenetrably mystifying we needed an all-trans/enby/non-cis cast of guests to walk us through the significance.

On the surface it is a story about a chap named Owen who is lonely and isolated child of the mid-1990s, meeting lonely, isolated Maddy and bonding over a mutual obsession with a cheesy sci-fi TV show for teenagers called "The Pink Opaque". Beneath that surface there is a whole world of uncertainty, denial, distraction and pain. Strap in, because this one is hard, long and has no relief at the end, culminating in a cautionary tale about running from yourself.

Huge thanks to everyone involved with this quite astonishing endeavour. We buttoned our lips and let these good people talk for the majority of the three hour runtime of this thing.

Guests

• Laura Kate Dale

• Alejandra Vargas

• Aquila Edwards

• Victoria Luna B. Grieve

Plus we have a suite of audio submissions from...

• Austin Wilden

• Rosa Ysassi Serata Villarreal

• Holly Dotson

• and Hanna Peregrine

Empire Records

[School of Movies 2025]

A cult favourite hangout movie about working in a CD shop in the mid-90s. This one was directed by Allan Moyle, who previously helmed another music-centric, coming-of-age teen drama that should have been way more of a hit; Pump Up the Volume (1990).

Statistically almost none of you have seen this, as it's the kind of movie you need a good friend to sit you down with after hearing that you've never seen it, and immediately declared "We're watching this!" Well, we are that friend today, and we are going to detail why this one is worthy of love.

It's painfully white, extremely straight and concerns itself with the now-antiquated dichotomy of MTV marketability versus independent spirit, but considering Spotify Killed the Video Star, the themes are still relevant, and the ragtag cast of teens are quirky enough to make this a breezy, endlessly-quotable rewatch. Damn The Man, save The Empire.

The Great Muppet Caper / Muppets Take Manhattan

[School of Movies 2025]

The second and third parts of the original Trilogy of Muppet movies made while Jim Henson was alive, voicing Kermit and taking a heavily active role in production.

The former from 1981 is a jewel heist that brings the anarchic furry ones to England, populated by only polite people (a trope which causes the two of us endless amusement) and very much concerns itself with pushing puppetry magic tricks on the big screen to their limits. This one, directed by Jim was in the immense shadow of the original Muppet Movie.

The latter, from 1984 brings them back to New York as college graduates who want to put on a big Broadway musical and run up against the gritty realities of real life (along with a cloyingly cute debut for The Muppet Babies. This more grounded take was directed by Frank Oz and for us it is a commissioned show by Dean R.

Guests:

Mackenzie Eastram  @KenziePhoenix of Rainbow Connection @MuppetsPod  

Nathan Eastram @bertnerdtram These two are also part of DiceWeave @DiceWeavePod

Happy Death Day

[School of Movies 2025]

This is not a Horror movie (or rather, it qualifies enough for that genre in terms of certain expected tropes and elements, but that is not its mode of conduct, and for people expecting conventional Horror, there's a lot more there in its place).

That's what should have been on the poster and promotional artwork, and in the trailers, and threaded through the interviews and general marketing speak surrounding this film. Though doing so might have hurt its 25x multiplier as yet another Blumhouse success story.

That misdirection helped it THEN, in 2017, I'm thinking more about helping it NOW in the 2020s, when viewers who do not like Horror genre movies (in particular cruel slasher movies) would almost certainly steer clear of what is actually one of the freshest, funniest star features in recent years, spotlighting Jessica Rothe, an actress of insane range with serious comedic chops.

It is superficially Groundhog Day with a stalking masked killer, but concerns itself less with the gory specifics of womanslaughter and more with the mechanics of trying to get oneself out of a blackly comic and fatal time-loop, as what is built up around the character of college student Tree Gelbman is a much-needed break in her cycle of self-destruction.

And on our Patreon bonus feed this weekend we have a full-length episode on the 2019 sequel; Happy Death Day 2U which leans even harder into the sci-fi, actively forgetting it was pitched as a slasher (and thus only doing seven times its budget at the box office).

Guest

Jesse Ferguson @TheDapperDM

from the Recorded Tomorrow Podcast

The Wizard of Oz

[School of Movies 2025]

One of history's abiding classics, and one of the oldest films we have ever covered on this show, the 1939 Wizard of Oz starring Judy Garland is joined here with several key points of comparison to establish why it really hold up.

We've already recorded a whole episode on the dark, late sequel, Return to Oz (1985) though it does get mentioned here, as well as Jon M Chu's 2024 cinematic adaptation of the first act of the Wicked stage musical.

But we also invoke the original book, written by L. Frank Baum in 1900, reference the tumultuous filming process by MGM, the toll it took on Judy Garland, as seen in the 2019 biopic Judy. And finally we sing the praises of The Wiz (1978) a valiant effort to make this story relevant to black America. One thing is clear, this is the most I've ever enjoyed talking about Wizard of Oz, and a lot of that comes from having the ever-insightful Willow on as a guest.

Next week it's Happy Death Day (2017). You can listen without watching the movie but definitely make plans to see the movie! And we have a rather important announcement to make at the end of this one.

Groundhog Day

[School of Movies 2025]

We’ve been holding this episode back for a special occasion and it seems like 2025 'The year of Joy' is the time to finally crack into one of the richest and most universally gratifying films in history. A hundred years from now, people will still be watching this film, It’s a Wonderful Life and The Shawshank Redemption.

Accompanying us in this time loop journey from mundane resentment to confusion, to panic, to exploitation, to emptiness, to the nadir of self-destruction, to the revelation of reflection, to the zenith of living to enrich the lives of others, and thus experience repletion is Jesse Ferguson. Jesse is one of the few guests we know who can comprehend the knottiest of time-travel conundrums whilst fully understanding that the story at the heart of what's being told is far more important than any speculative, temporal shenanigans.

Plus Bill Murray is a hoot, this is his best film, as well as being the finest offering from his friend and director Harold Ramis. It is endlessly memorable, profound, and touches upon a universality of shared experience. We are all alone, and we are all together.

Guest

Jesse Ferguson @TheDapperDM

from the Recorded Tomorrow Podcast

Dungeons & Dragons: Honor Among Thieves

[School of Movies 2025]

The first Dungeons & Dragons movie emerged in the year 2000, wildly underachieving in every department; characters, story, screenplay, costumes, technical proficiency, directorial flair, casting, scope, music, awareness of what it was adapting, sense of humour and dragons! All of these things were straight-to-video grade. It was, in effect the anti-Lord of the Rings, a year before that masterpiece-containing-masterpieces raised the bar impossibly high.

23 years later, on the 49th anniversary, Honour Among Thieves emerged to empty theatres for various reasons I will be going into in my opening monologue. Among other notions broached, there is an imperative upon us to redefine success.

And our packed adventuring party are all here to do just that, and gush about this hidden gem, this buried treasure that knocks it out of the park in all the departments named above. This is a special episode where we get to talk about exactly why Honour Among Thieves is precious, and the unseen, Lego Movie-style subtext of these events.

Guests:

Hollywoo Actress  Maya Souris @Mayasantandrea

Victoria Luna B. Grieve:  @VixenVVitch 

Brenden Agnew @BLCAgnew of Make Me Watch It

Chris Finik @finmonster09